Tom Williams I was impressed at the scope and depth of Musial’s work in the 2011 version. Seldom will you see a more technical stage work that vividly evokes the tragedy of a city-wide fire. The only thing lacking was the smoke and smell of a major fire. Telling the story of a catastrophic event on stage takes daring and loads of stage craft – all of which are ingredients in this thrilling and emotional telling of the story of the Chicago fire from October 8, 1871.
Sean O’Casey is in good hands under the spirited direction of John Mossman and the terrific ensemble acting (each in rich authentic Irish brogues) from the dedicated cast. The quirkiness and the submerged fear storms to the surface in this often-times funny yet sad tale of life and oppression in Dublin during ‘The Troubles” of 1920-23.
Theatre is often about something other than what the people on stage are talking about. And Red is no exception – as Logan himself says. The backdrop is art, but the subject is mankind, fathers and sons, mentors and protégés. Art is the intellectual canvas on which these two characters paint their relationship. “The son must kill the father,” Rothko tells Ken, speaking about what the Abstract Expressionists did to the Cubists. “Respect him, but kill him.”
The dramatic retelling of the events of the Nickel Mines Shooting of 10 Amish children October 2, 2006 and the aftermath is a heart wrenching and complex story especially how the Lancaster, Pennsylvania Amish reacted. Told in an amazing tour de force performance by Sadieh Rifai, The Amish Project is a 70 minute drama that attempts to tell the shooting story and the effects on the Amish, the town’s folks and the shooter’s family.
What makes this play great – and what makes it a tragedy – is that each and every character wills for good. There exists no one with evil in their heart, a wish simply to harm out of malice. Each person wants what is best – for themselves, for the family, for the greater good. They seek what is just. But what is “best,” what is “just,” is not always – ever – agreed upon.
The moods, desires and angst of revolving relationships are nicely presented by the three cast members. Their energy, singing skills ans their ability to “sell” their songs in character give this revue a tone of sensuality and realism. Eugen Dizon musical direction helps create a worthy accompaniment. Catch Starting Here, Starting Now to discover new show and movie songs and to have fun meeting Boone, Herman and Patingre. They’ll entertain you.
There will always be the saying, “The best friends money can buy.” And of course that’s true – but money will always buy friends. So will fame. So will power and influence and any number of things. No one can deny that there are aspects of frat culture that are completely fucked up. But no one can deny that there is an upside, there is daylight, there is something that sustains these places, and it’s more than money and booze and sex – though that irrefutably plays a part.
Redtwist Theatre features their top actors- Peter Oyloe (Kjell), Andrew Jessop (Elling) and Brian Parry (Alfons) who are sporting their comedic skills in the winning stage production of the Norwegian film “Elling” deftly adapted by Simon Bent. This is a charming, warm comic drama about two seemingly mentally challenged men who struggle to make it on their own away from a mental institution.
Never mind the hype, it’s always bollocks.
These hapless losers and half-brothers screwed-up a robbery of a drug dealer that resulted in Torch being shot in the hand after he shot one during the sting. 20/20 Mike calls his old running buddy and cell mate- Tony Lee-the tiger (Eric Sherman-Christ) to help them escape NYC. The result is a fast paced, well acted emotionally packed crime drama.