MUST SEE

These are Chicago Critics Must See shows. If you are only going to see one show let us recommend one of these great pieces of true Art!

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

An American Story – for Actor and Orchestra

This emotionally packed drama with music grabbed the opening day audience and kept them transfixed throughout. This may be Hershey Felder’s finest show. Certainly it is his most unique historical work that fills us in on an unknown historical figure as it is Felder’s most challenging acting role. It is a tight, powerful, and expressive glimpse both into history and 19th Century America culture. Hershey Felder once again proves that he is a master of stage presence. He is the finest storyteller of our time. Don’t miss his stunning work.

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“FIDDLER ON THE ROOF” – Paramount Theatre

Essential to a successful Fiddler is the acting of Tevye, a milkman and the father of five daughters. Imagine the audience reaction when it learns that on opening night the leading role needs the understudy, David Girolmo, for at least a week. His first monologue immediately says that we are in good hands, and if there is any doubt, his first solo song, “If I Were A Rich Man” wins everyone over. His subtle style and a lazy rolling motion causes audible chuckles from most listeners.

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See What I Wanna See – Garage Rep

And director Lili-Anne Brown manages to turn See What I Wanna See’s overly plodding pacing into an otherwise brisk two hours of beautiful music and stirring performances. LaChiusa, much like Sondheim, never makes the work of the actor or director easy. Refusing the more cloying sentiments of a Rodgers and Hammerstein, his work requires constant focus and subtle emotional turns. Thankfully Bailiwick Chicago Theatre is up for the challenge!

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Peyton Place

In Paul Edwards’ smart, nicely paced and well acted stage adaptation, Peyton Place unfolds as a period piece of life in the repressed 1950’s small town America. We meet three women coming to terms with their sexual identities. Constance MacKenzie (Sheila Willis) is an emotionally drained woman and mother to the sensitive and precious daughter Allison (Catherine Gillespie) – am aspiring writer. Add Selena Cross (Sara Renee Gilbert), the poor girl from the ‘shacks” and we have three microcosms of the emerging women of the ’50’s.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Fox on the Fairway

Fox takes audiences on a sidesplitting romp which pulls the rug from underneath the stuffy denizens of a private golf country club. The 43rd annual grudge match between rival golf clubs is thrown for a loop when the best golfer switches teams on the eve of the competition. It’s a hilarious romp with classic elements like mistaken identities, huge consequences riding on the match’s outcome, marriages on the brink of disaster, and secret romantic shenanigans that recalls the Marx Brothers in their heyday. Add over-the-top characters, a furious pace, terrific physical comedy with brilliant plotting and fabulous comic touches by the expert cast and Fox is a well-oiled comic farce.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Lady Day at Emerson’s Bar & Grill

I grew up listening to Billie Holiday records so I am quite familiar with her unique blues-oriented distinct jazz singing style. I can state with absolute certainty that Alexis Rogers has Billie Holiday’s style down pat. Add her fabulously realistic acting deftly depicting the pain Billie suffered as she tried to blunt reality with heron and whiskey and Rogers combines her amazing channeling of Holiday’s singing style with a sting of personal stories about the horrors of her life.

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The Birthday Party

Let’s just say then that there was something reminiscent in this production of Harold Pinter’s The Birthday Party, produced by the Steppenwolf Theater Company. The boxcar-like stage. The parallel rows of spectators. The crazy man in the middle, railing against some unperceived horrors, unable to be saved or helped. The play is set in a rundown boarding house, run by Meg and Petey Boles, in some unspecified little English town adjacent to the sea. Stanley Webber, the Boles’ tenant for the past year and a proverbial “washout,” is even at the play’s outset a rudderless boat. But things are about to change for Stanley when two strange men show up to the house looking for board. And, it would appear, looking for Stanley

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Magnificents

Dennis Watkins is a fabulous and fearless magician as evidenced by his underwater in a locked crate Houdini trick performed in a House show a few years back. In The Magnificents, Watkins pays tribute to his grandfather, Ed Watkins, the man who taught Dennis the magic of magic. This is a warmly human story of the aging magician (played by Dennis Watkins) and his loyal wife (Tien Doman).

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